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标题: Randy to star in Amadeus(中英文详细介绍在第二页) [打印本页]

作者: candyperfume 时间: 2006-2-18 12:17 标题: Randy to star in Amadeus(中英文详细介绍在第二页)

LJ上的:http://community.livejournal.com/queerasfolkfans/2236944.html

Berkshire Eagle:http://www.berkshireeagle.com/headlines/ci_3518769

从今年6月20号到7月8号....就在上次演equus的剧院...

Randy演莫扎特....

[ 本帖最后由 candyperfume 于 2006-2-21 11:40 编辑 ]

作者: namehong 时间: 2006-2-18 12:58

啊！
大喜讯！！

作者: huife134 时间: 2006-2-18 14:35

Randy演莫扎特..........
哇........
好呀好呀~~~~

作者: 黑衣大主教 时间: 2006-2-18 14:45

不知道骡子上会不会这部片子的下载啊！！
而且莫扎特可不是好演的角色哦！！这可是考验一个人演技的时候！！

作者: ele 时间: 2006-2-18 15:18

em20em20看不到他的精彩表演

作者: 夜之微 时间: 2006-2-18 17:46

小RAN 赞哦！

作者: reiko1983 时间: 2006-2-18 19:34

oh my GOD!!!! 好想去看呀

作者: qq_ll 时间: 2006-2-18 20:05

我~也~想~看~的~说~~~~

作者: koshi123 时间: 2006-2-18 20:58

看不到啊,看不到!怨念啊~~~~em34em20

作者: lee81311 时间: 2006-2-18 21:32

em19em19em19大喜讯~~~
em34em34em34看不到~~~

作者: Corrie 时间: 2006-2-18 21:34

原帖由 黑衣大主教 于 2006-2-18 14:45 发表
不知道骡子上会不会这部片子的下载啊！！
而且莫扎特可不是好演的角色哦！！这可是考验一个人演技的时候！！

这个...舞台剧...应该没得下吧？
啊啊啊啊~~~~~~想看啊啊啊~
不知道他到时候会不会弹钢琴啊？

作者: sunnycup 时间: 2006-2-18 21:50

em22 莫扎特~~~
em26果然不愧是我喜欢地人，连演地角色都是我喜欢地~~哇咔咔！！

作者: mdina 时间: 2006-2-18 22:48

原帖由 sunnycup 于 2006-2-18 21:50 发表
em22 莫扎特~~~
em26果然不愧是我喜欢地人，连演地角色都是我喜欢地~~哇咔咔！！

宝贝，
米兔，
星星眼ing~~

我要去看！！！！！！！em04

作者: jessica8111 时间: 2006-2-18 22:51

能看到就好了

作者: qqqq2046 时间: 2006-2-18 23:49

candy 今天是偶这个ID一周年滴生日,这个消息来的简直太巧了.......

难道是偶感动鸟天................

作者: brijus 时间: 2006-2-19 00:51

終於等到了................

作者: 鄭喬方 时间: 2006-2-19 01:02

我要去看！

[ 本帖最后由鄭喬方于 2006-2-19 01:39 编辑 ]

作者: ihao 时间: 2006-2-19 01:31

看樣子要想辦法出國囉!!

作者: bird214 时间: 2006-2-19 01:34

他在戏里会把头发染掉吗？或是戴头套？

呵呵形象上肯定和现在很不一样吧。

作者: tonizh 时间: 2006-2-19 01:36

亲candy!!!!多谢！！！

randy是音乐系毕业的，90％可能性会钢琴。

作者: qqqq2046 时间: 2006-2-19 01:51 标题: zt yahoo

Date: Sat, 18 Feb 2006 00:40:20 -0000
From: "Mark" <[email protected]>

for those who have never seen the play or/or movie Amadeus (and the
play is substantially different from the movie in many ways) here is
some information from Wikepedia. The role of Mozart will be a very
diffferent part for Randy:

Amadeus is the title of both a stage play and an Academy Award
winning film written in 1979 by Peter Shaffer, both loosely based on
the lives of the composers Wolfgang Amadeus Mozart and Antonio
Salieri. Amadeus was inspired by Mozart and Salieri, a short play by
Aleksandr Pushkin (later adapted into an opera by Nikolay Rimsky-
Korsakov).

The title refers to a name that Mozart often used (he was baptized as
Johannes Chrysostomus Wolfgangus Theophilus Mozart) as a pen name. It
is a Latinization of the Greek Theophilos, which Mozart sometimes
also Germanized as "Gottlieb." All three names mean "God-lover"
or "Loved by God" and, aside from being a direct reference to Mozart,
the title serves as an ironic reference to Salieri's relationship
with God in the play and film

The play, and to a much larger extent the film, make use of Mozart's
music (as well as that of a few other composers, including Salieri).

Date: Sun, 19 Feb 2006 23:40:46 -0000
From: "Mark" <[email protected]>

Randy as Mozart - His first scene in the play

I picked a copy of Amadeus this afternoon at Barnes and Noble.

Anyone interested in reading the play should purchase the 2001
Perennial(an Imprint of HarperCollinsPublishers) edition, which is
the most current, - the final of six versions (which includes the
screenplay) which Shaffer wrote over 20 years, culminating in the
1998-99 Broadway revival. The play is indeed very different than the
movie.

Here is the first scene where Mozart appears. This play is the
opportunity for a tour de force performance by Randy. The part calls
for him to deliver of number of lines in "expert" Italian and French
and to portray Mozart doing an "exhibitionistic" virtuoso performance
on a pianoforte.

Act One, Scene 5

CONSTANZE: [OFF] Squeak! Squeak! Squeak!

{CONSTANZE runs on from upstage, a pretty girl in her early twenties,
full of high spirits. At this second, she is pretending to be a
mouse. She runs across the stage in her gay party dress, squeaking,
and hides under the fortepiano.
Suddenly a small, pallid, large-eyed young man of 25, in a showy set
of clothes runs in after her and freezes -center-as a cat would
freeze, hunting a mouse. This is WOLFGANG AMADEUS MOZART. As we get
to know him through his next scenes, we discover several things about
him: he is an extremely restless man, his voice, light and high; his
manner, excitable and volatile.]

MOZART: Miaouw!

CONSTANZE: [Betraying where she is] Squeak!

MOZART: Miaouw!?Miaouw!?Miaouw!
[The composer drops on all fours and, wrinkling his face, begins
spitting and stalking his prey. The mouse - giggling with excitement -
breaks her cover and dashes across the floor. The cat pursues.
Almost at the chair where Salieri sits concealed, the mouse turns at
bay. The cat stalks her -nearer and nearer- in his knee breaches and
elaborate coat.]

"I'm going to pounce-bounce! I'm going to scrunch munch! I'm going to
chew-poo my little mouse-wouse! I'm going to tear her to bits with my
paws-claws!

CONSTANZE: No!

MOZART: Paws-claws - paws-claws - paws-claws! Ohh!

[He falls on her: she screams.]

I'm going to bite you in half with my fanfg-wangs! My little Stanzerl-
wnzerl-banzer!

[She laughs delightedly, lying prone beneath him.]

You're trembling!匢 think you're frightened of puss-wuss!匢 think
you're scared to death! [Intimately] I think you're going to shit
yourself!

[She squeals but is not really shocked. He emits a little baby-ish
giggle.]

In a moment it's going to be on the floor!

CONSTANZE: Ssssh! Someone'll hear you!

[He imitates the noise of a fart.]

Stop it, Wolferl! Ssh!

MOZART: Here it comes now! I can hear it coming!匫h, what a
melancholy note! Something's dropping from your boat!

[Another fart noise, slower. CONSTANZE shrieks with amusement.]

CONSTANZE: Stop it now! It's stupid. Really stupid!

MOZART: Hey - hey- what's "Trazom"?

CONSTANZE: What?

MOZART: T-r-a-z-o-m. What's it mean?

CONSTANZE: How should I know?

MOZART: It's Mozart spelled backwards - shit-wit! If you married me
you'd be Constanze Tranzom.

CONSTANZE: No, I wouldn't.

MOZART: Yes, you would. Because I'd want everything backwards once I
was married. I'd want to lick my wife's arse instead of he face.

CONSTANZE: You're not going to lick anything at this rate. Your
father's never going to give his consent to us.

[The sense of fun deserts him instantly]

MOZART: And who cares about his consent?

CONSTANZE: You do. You care very much. You wouldn't do it without it.

MOZART: Wouldn't I?

CONSTANZE: No you wouldn't. Because you're too scared of him. I know
what he says about me "If you marry that dreadful girl, you'll end up
lying on straw with beggars for children".

MOZART [Impulsively} Marry me!

CONSTANZE: Don't be silly

MOZART: Marry me!

CONSTANZE: Are you serious?

MOZART [Defiantly} Yes!匒nswer me this minute: yes or no! Say yes
then I can go home, shit in bed and shout, "I DID it!"

[He rolls on top of her delightedly. The MAJORDOMO of the house
stalks in, upstage.]

MAJORDOMO: [Imperviously} Her Ladyship is ready to commence.

MOZART: Ah匶es! Good! [He picks himself up embarrassed, and helps
CONSTANZE to rise. With an attempt at dignity] Come, my dear. The
music waits!

CONSTANZE: [Suppressing giggles] Oh, by all means- Herr Trazom!

[ 本帖最后由 qqqq2046 于 2006-2-21 22:59 编辑 ]

作者: qqqq2046 时间: 2006-2-19 01:52

Plot
Spoiler warning: Plot and/or ending details follow.

There are some important differences between the screenplay and the
stage play, notably the number and treatment of scenes without
Salieri in them, the portrayal of Emperor Joseph II, Emanuel
Schikaneder, and Baron van Swieten, Mozart's relationship with the
Masons, and the finale.

Shared plot
Amadeus the theatrical production tells Mozart's story from the point
of view of the court composer Antonio Salieri, who is presented as a
caricature of jealous mediocrity. Salieri speaks directly to the
audience at many times during the play, his soliloquies serving to
move the timeline forward and back, and to narrate the goings on. In
the film, Shaffer employs an interlocutor (a young priest) for
Salieri to achieve this same function, but the film is told from a
more neutral, third-person perspective and there are more scenes
without Salieri in them (especially in the Director's Cut). Most of
the film, and much of the play, are presented in retrospective.

At the opening of the tale, Salieri has not met Mozart in person, but
has heard of him and his music. He adores Mozart's compositions, and
is thrilled at the chance to meet Mozart in person, during a salon at
which both of their compositions will be played. When he finally does
catch sight of Mozart, however, he is deeply disappointed to find
that Mozart's personality does not match the grace or charm of his
compositions: Mozart is crawling around on his hands and knees,
engaging in an immature dialogue with Constanze Weber (who would
later become his wife). As Mozart himself later explains: "I am a
vulgar man. But... my music is not."

Salieri cannot reconcile Mozart's boorish behavior with the massive
genius that God has inexplicably bestowed upon him. Indeed, Salieri,
who has been a devout Catholic all his life, cannot believe that God
would choose Mozart over him for such a gift. Salieri rejects God and
vows to do everything in his power to destroy Mozart.

Throughout much of the rest of the play and film, Salieri masquerades
as Mozart's ally to his face, while at the same time doing his utmost
to destroy his reputation and any success his compositions may have.
On more than one occasion it is only the direct intervention of the
emperor himself that allows Mozart to continue (interventions which
Salieri opposes, and then is all too happy to take credit for when
Mozart assumes it was he who intervened). Salieri also humiliates
Mozart's wife when she comes to Salieri for aid, and smears Mozart's
character with the emperor and the court. A major theme in Amadeus is
Mozart's repeated attempts to win over the aristocratic "public" with
increasingly brilliant compositions, which are always frustrated
either by Salieri or by the aristocracy's own inability to appreciate
Mozart's genius.

At this point, the film and the play diverge.

Stage play version
In the play, only Baron van Swieten (who early in the story inducts
Mozart into the Brotherhood of the Freemasons) continues to support
Mozart. Indeed, by the end of the play, Mozart is surviving solely
because of the charity of his brother Masons. Finally, Salieri
convinces Mozart (who by this time is half-crazed from frustration
and poverty) to compose an opera based on the mythos of the Masons.
As a result, Mozart produces the comedy Die Zauberfle. Van Swieten
is horrified to see that Mozart has, in his opinion, parodied the
venerated traditions of Freemasonry. He summarily removes Mozart from
the Masons. Meanwhile, Mozart's partner in the production of Die
Zauberfle, Emanuel Schikaneder, cheats Mozart out of most of his
share of the ticket proceeds.

Now thoroughly destroyed and without recourse, Mozart simply wastes
away and dies, still at work on his Requiem

Film version
In the film, however, the above does not occur. Instead, the film
uses that time to focus on Mozart's relationships with his father,
Leopold (whom he worships and fears), and his wife, which are rather
tense and erratic, respectively. As the film moves on, Mozart learns
of his father's death and composes the operatic masterpiece Don
Giovanni, in part as a tribute to him. Salieri avows that it was the
finest opera he had ever seen, yet he uses his influence to make sure
it closes after only five performances.

Following this, Salieri hatches a plan to conscript Mozart to compose
a requiem, after which Salieri will kill him and claim the
composition as his own. Even better, he reasons, he will then
perform "Salieri's Requiem" at Mozart's own funeral, thus
demonstrating to the world the inspiration that his true and devoted
friendship with Mozart had given him. Salieri dons a disguise and
anonymously commissions the composition from Mozart.

Meanwhile, Mozart's friend Emanuel Schikaneder has put on a parody of
Don Giovanni at a local music hall, which Mozart finds charming. It
has also been a great success. Schikaneder convinces Mozart to write
an opera "for the people," who will appreciate his work more than the
staid aristocrats for whom he usually composes. Mozart agrees, and
composes Die Zauberfle, all the while continuing to work on his
requiem. Zauberfle is a big success, but during the initial
performance, Mozart (who is conducting from the keyboard) falls ill
and is taken home by Salieri. There, Salieri pushes Mozart to
continue work on his requiem, despite the fact that Mozart is barely
conscious.

At this point, Schikaneder shows up at Mozart's door, and faithfully
gives Mozart's share of the opera's proceeds to Salieri, who shoos
him away. Salieri then returns to Mozart and gives him the money,
saying that it came from the man who commissioned the requiem, and
that there will be more if Mozart can finish the piece hastily.
Mozart therefore asks Salieri to assist him in completing the
composition, as he is too sick to write. Salieri transcribes what
Mozart tells to him, and the beauty of Mozart's Requiem is slowly
revealed to the audience (and Salieri himself). After some time,
Mozart pauses to thank Salieri for being such a good friend,
admitting that he had always felt, deep down, that Salieri did not
like his music. Touched in spite of himself, and apparently
regretting his initial plot, Salieri candidly replies: "I tell you,
you are the greatest composer known to me."

The next day, Mozart is dead. He is buried in an unmarked mass grave,
his Requiem still unfinished.

Reality vs. fiction

Shaffer took dramatic license in his portrayals of both Mozart and
Salieri. There is some debate as to just how much. There seems to
have been some antipathy between Mozart and Salieri, but, the idea
that Salieri was the instigator of Mozart's demise has no academic
credence. While there may have been real rivalry between Mozart and
Salieri, there is also evidence that they enjoyed a relationship
marked by mutual respect for one another's talents.

Many classical music critics and experts feel that Shaffer's
portrayal of Mozart as petulant and loutish is unfair. On the other
hand, surviving letters by and about Mozart give examples of his
brutal and sometimes profane sense of humor, his arrogance, his
stubbornness, and penchant for juvenile indulgences. Also, extant
records show Mozart was not a good money manager and suffered from
large debts, as potrayed in Amadeus. Finally, Mozart's relationship
with his father as portrayed in the film seems to be accurate,
judging from the subtext of their letters to each other.

Recent studies suggest that Mozart died of some form of rheumatic
fever (possibly aggravated by overwork and heavy drinking), and not
from any poison. A similar fate befell Felix Mendelssohn who also
demonstrated prodigal gifts for composing - and, like Mozart, did not
survive to his 40th birthday.

Salieri is portrayed in Amadeus as sexually frustrated from a vow of
celibacy that he took in childhood. In real life, he made no such
vow; he was married and the father of eight children.

Performance and filming
The 1980 Broadway performance of the play starred Ian McKellen as
Salieri and Tim Curry as Mozart. Both actors were nominated for Tony
Awards, and McKellen ended up winning. The play itself was also
nominated for costume design (John Bury), and it also won awards for
director Peter Hall, best play, lighting designer, and scenic
designer, both of which were done by John Bury as well.

The play was revived in 2000, and recieved Tony Award nominations for
best revival and best actor (David Suchet).

In 1984, Milo?Forman directed the screen version of Amadeus, which
featured F. Murray Abraham and Tom Hulce as Salieri and Mozart; as in
the Broadway production, both lead actors competed for the annual
award for Best Actor. The film won eight Academy Awards that year,
for Best Picture, Best Actor (F. Murray Abraham), Director (Milo?
Forman), Art Direction (Patrizia von Brandenstein and Karel Cerny),
Costume Design, Best Makeup, Best Sound, and Adapted Screenplay
(Shaffer). It was the inspiration for Falco's song "Rock Me Amadeus."

A young Kenneth Branagh was originally cast to play Mozart in the
film, but was replaced by Hulce at the eleventh hour.

The film version was shot on location in Prague and Vienna. In fact,
Forman was able to shoot scenes in the Tyl Theatre, where Don
Giovanni had debuted two centuries before. Several other scenes were
shot at the Barrandov Studios.

[ 本帖最后由 qqqq2046 于 2006-2-19 01:58 编辑 ]

作者: qqqq2046 时间: 2006-2-19 02:14 标题: MISC from lj

tickets you can call the number any time:

866-811-4111

Go to http://www.berkshiretheatre.org/index.php to see more

The play "Amadeus" is NOT a musical. There are bits and pieces in it of Mozart playing the piano, but not too much. It's a very depressing play, if you know of how Mozart died.

作者: candyperfume 时间: 2006-2-19 09:02

原帖由 qqqq2046 于 2006-2-18 23:49 发表
candy 今天是偶这个ID一周年滴生日,这个消息来的简直太巧了.......

难道是偶感动鸟天................

还真是很巧~恭喜4Q了，也许Randy的下一个剧目会到中过来呢，祈祷吧~~~

randy是音乐系毕业的，90％可能性会钢琴。

这样啊，我原来还以为他是表演系的呢。。。怪不得他那么喜欢唱歌跳舞什么的~~好想去看看他
弹钢琴啊~em23

[ 本帖最后由 candyperfume 于 2006-2-19 09:04 编辑 ]

作者: kiii 时间: 2006-2-19 12:10

好想去看，RANDY啊，弹钢琴的RANDY，想像ING。。。。。。

作者: BJ1982 时间: 2006-2-19 13:17

有新消息了，真好。

作者: sprite 时间: 2006-2-19 13:57

提示: 作者被禁止或删除内容自动屏蔽

作者: 歪歪是头牛 时间: 2006-2-19 18:49

密切关注中~
大人们的消息真灵

[ 本帖最后由歪歪是头牛于 2006-2-19 18:51 编辑 ]

作者: elaine-888666 时间: 2006-2-19 19:14

哇,Randy迷们又要再掀高峰了~~~呵呵,
期待看到R更精彩的表演~~~
可惜没机会看现场.

作者: leannhung 时间: 2006-2-19 21:04

聽到這個消息真讓人熱血沸騰！預祝Randy的事業更上一層樓，演出順利成功~~~

作者: lanchercat 时间: 2006-2-19 21:56

一上来就看到好消息，开始掰着指头数日子...

作者: yugotq 时间: 2006-2-19 23:15

偶是没得看的了,等高人们去看了来传达吧

作者: peridot 时间: 2006-2-20 16:45

笃定要去最后又不去的人要被打pp哦

作者: Hallelujah 时间: 2006-2-20 17:03

原帖由 peridot 于 2006-2-20 16:45 发表
笃定要去最后又不去的人要被打pp哦

我要特产！！！！

作者: coffee2841 时间: 2006-2-20 23:25

真的好想去看啊！！！但是，米可能去em34只能等待亲们看了回来转述了
Randy弹钢琴的样子一定超迷人的em23

作者: yoyo82 时间: 2006-2-20 23:33

哪才能看到啊~~郁闷啊~> <

作者: brijus 时间: 2006-2-21 01:48

阿玛迪斯《Ａｍａｄｅｕｓ》

原剧为英国名舞台剧─入家彼得．谢佛(Peter Shaffer)继《恋马狂》后的力作，曾在百老汇中获得五项东尼奖，搬上银幕也是由他亲自改编后的力作。
彼得．谢弗以插科打诨、冷嘲热讽的笔法，呈现出莫扎特「直率得令人讨厌」的天才顽童形象，引来他人的嫉妒、酿成悲剧。

http://lib.tngs.tn.edu.tw/fish/reports/rp-002a/messages/102.htm
原著摘要：
　　年老的宫廷乐师萨利耶里在一个夜晚自杀了，口中不时的喃喃自语：「莫扎特，原谅我……」后来，他被送到精神病院，并对来探望他的神父说出了当年的一段秘辛。
　　萨利耶里从小渴望音乐，并愿意以一生的贞节来和上帝换取天赋，但当他荣任奥地利宫廷作曲家时，却遇到了天才却幼稚的莫扎特。他无法原谅上帝选了一个小鬼作祂的代言人，却又为莫扎特的音乐所折服，在内心天人交战之后，便决定背弃上帝、用尽手段来毁了莫扎特。他假装成为莫扎特的好友，背地里却阻碍莫扎特的事业，最后莫扎特终于因为病重且精神不堪负荷而死。
　　然而随着时间的流逝，逝去的莫扎特透过他的曲子常驻人间，而留下来的萨利耶里却和他的的作品一起光芒尽逝、趋于黯淡。

人物：
沃尔夫冈‧阿玛迪斯‧莫扎特〈Ｗｏｌｆｇａｎｇ　Ａｍａｄｅｕｓ　Ｍｏｚａｒｔ〉
http://www3.ouk.edu.tw/wester/composer/composer005.htm
如果有人将新新人类归类为世代里难以理解的一群怪孩子
那么莫扎特肯定是他们之中的一员
他圆敦敦的脸上经常闪现一种不羁的神色
他想没人能真正理解他的音乐
他只要玩耍追女孩子戴奇怪的假发
做音乐？是因为无法克制心中不断然烧的狂野

http://www3.ouk.edu.tw/wester/composer/composer005.htm
莫扎特的死亡之谜
莫扎特在一个风雨交加的雨夜病故。但他死后不久就出现了神秘传言，说他死之前有一位「黑衣人」到访，托付他写《安魂曲》。而这个黑衣人就是他同时代的意大利作曲家萨列里。德国作家弗伦伯格的小说《莫扎特的故事》、俄国诗人普希金的诗剧《莫扎特和萨列里》都强化了这一传说。甚至到了20世纪，英国当代剧作家彼德•谢弗的著名舞台剧本《上帝的宠儿》（Amadeus）将莫扎特描写为一个天性放纵，奢侈挥霍，满地乱爬的顽童天才，而更对安东尼奥•萨列里如何一步步厌恨莫扎特，直至假扮「黑衣人」将其杀死做了惊心动魄的描写。此剧后来由美国导演福尔曼翻排成同名电影，一举夺得了1985年的奥斯卡金像奖最佳影片。

但事实并非如此。历史学家指出，萨列里年纪较莫扎特长，当时已经是功成名就的老乐师，如著名的米兰斯卡拉歌剧院的落成揭幕歌剧，就上演了他的作品。这样一位作曲家完全没有必要加害莫扎特。而这种谣传的形成，可能反映了当时意大利作曲家和奥地利作曲家之间的集体矛盾。

安东尼‧萨里耶利〈Ａｎｔｏｎｉ　Ｓａ；ｉｅｒｉ〉
身处当时的维也纳，萨里耶利是一名相当出名的宫廷音乐家，他在童年时就一心向往要成为一名伟大的作曲家，以在人间为上帝传播祂的福音，他不但得到宫廷音乐师一职，也有了不小的名气，也深信自己就是那名上帝所挑选出的音乐传道者。
一直到他第一次遇见莫扎特，那是在一个皇家音乐会上，他简直不敢相信他自己的眼睛和耳朵，但还是必须说服他自己，眼前的这个放浪、自大、无礼的年轻人，就是鼎鼎有名的天才音乐家，莫扎特。他曾尝试在莫扎特面前表现自己的音乐才能及前辈风范，但莫扎特大而化之的个性和天赋却在在打击着萨里耶利。于是他在心中暗暗的发着誓，他无法原谅上帝，也无法原谅上帝所钟爱的莫扎特（Ａｍａｄｅｕｓ）。萨里耶利的心，已由一个热爱音乐的美丽，转而成为一缕邪恶的灵魂，带领着黑暗，一步步向着莫扎特逼近。

莫扎特的音乐造诣易超尘脱凡，在生活中却是个不修边幅，行为恣肆的人。在萨里埃利的挑唆之下，保守、刻板的维也纳主流音乐界视他为「弊端」，处处为他设坎施绊。莫扎特的乐谱遭到大量删改，作品无法在剧院上演，生活日渐困窘。

表面上，他似乎和莫扎特成了关系良好的朋友……。莫扎特的父亲突然去世，这使莫扎特悲痛万分，精神上受到很大刺激，身体一落千丈。萨里埃利知道自己的机会终于来了。他在寂静的午夜时分假扮成黑衣人并戴上莫扎特父亲生前用过的假面道具，敲开莫扎特的家门，要他谱写一篇《安魂曲》。莫扎特在恐惧和疾病的双重折磨下夜以继日地工作。《安魂曲》写成了，他自己也终于油玷自尽，气绝身亡，死时年仅35岁。

在莫扎特死后，萨里耶利一直无法承受心理上的压力和良心的谴责，他发了疯，也因此自杀过。也许真正的原因是他也深深的爱上了莫扎特的天份，而感到无限的痛苦吧！例如在片中他曾形容莫扎特的音乐说：「我透过音符所架成的铁龙，看到最纯粹的美！」这种爱恨交结的情感，定是紧紧的纠缠住萨里耶利那颗脆弱而扭曲的心的，若不是，他是不会有那种非理性的行为出现的。

最后一个音符
以轻狂的笑声命名
在一杯杯的烈酒里
我的音乐忘情底发酵
这宫廷早已盛传
我六岁的手如何拨弄
惊心动魄的琴键
而背后的嫉妒
已觊觎多年了

一场浮华与沉沦的飨宴
生命以另一个脸谱
嘲弄我狂傲的率性
我宁愿孤独
让酒馆的喧哗使我疯狂
那些曲子就不会传遍
费加洛的婚礼，或者
只是落寞的
在森林中讨论
另一小节音符的高低
然后，纵容他们在熔岩上
铺满我澎湃的琴谱
准备燃烧，并加温
女高音的凄怆
连天使也落泪的婉惜

就等我谱完这乐章
最后的一次咏叹
狂乱的有如黑夜里奔驰的驿马车
缰绳是条长长的河
隔开两岸年轻与生命的对决
河里流着我咳血的哮喘声
沉淀成早幺的年岁
这乐章不该如此休止

楼梯间隆隆的敲门声一再催促
那黑衣夜行人
以些许的钱币换取
我最终的一次呼吸
在烛光下，一列列的
如同穿著黑袍的武士
在弥撒曲里
逐一卸下沉重的灵魂
今夜，我不是唯一哭泣的木乃伊
http://blog.yam.com/keatspoem/archives/108447.html

不過Randy的Ｍｏｚａｒｔ可能會很不同於電影中的......

[ 本帖最后由 brijus 于 2006-2-21 02:35 编辑 ]

作者: peridot 时间: 2006-2-21 02:42

辛苦了,
你为他贴,我为你顶

作者: elaine-888666 时间: 2006-2-21 17:08

呼~~终于看到中文资料了,brijus辛苦了~~~

作者: 笨笨の肉肉 时间: 2006-2-21 21:32

好棒啊。。。。俺也想看RANDY。。弹琴的样子哟。。。。。

作者: lee81311 时间: 2006-2-21 22:00

谢brijus翻译，好想看randy弹钢琴的样子。

作者: zachary 时间: 2006-2-21 23:32 标题: too pity that we can't see...

作者: serenye 时间: 2006-2-21 23:47

我心爱的randy要演我心爱的mozart～～这是真的吗？？
太令我兴奋了！！
个人感觉randy的气质演mozart还是很合适的，他适合演艺术家～～
希望能看到呢～～想想办法～～

作者: mdina 时间: 2006-2-22 00:28

原帖由 brijus 于 2006-2-21 01:48 发表
阿玛迪斯《Ａｍａｄｅｕｓ》

原剧为英国名舞台剧─入家彼得．谢佛(Peter Shaffer)继《恋马狂》后的力作，曾在百老汇中获得五项东尼奖 ...

比鼻是勤劳滴，
虽然，
大多数时候还是很懒滴，
那个。。。
我还是爱你滴em26

作者: mdina 时间: 2006-2-22 03:34

电影版bt下载这里有：
http://search3.btchina.net/btsea ... D8%B4%AB&type=0

作者: dchx 时间: 2006-2-22 11:19

啊，原来真是那个奥斯卡的本子啊，那Randy又不是第一男主角了？遗憾~~~
渴望Randy的舞台剧啊，他演的一定比QAF过瘾多了，一个好演员有好戏演，一定幸福死了吧~~~~诚心诚意地祝愿他能够演剧愉快！

作者: wasun 时间: 2006-2-22 17:05

现实中的RANDY不知是什么性格!!

作者: cherry 时间: 2006-2-23 15:04

祝他演出顺利，开开心心，我在太平洋的另一边流口水~~~~

作者: cici602 时间: 2006-2-25 01:36

谢谢,brijus 的翻译~
我看过Ａｍａｄｅｕｓ的电影,很不错啊~~~~~

作者: qqqq2046 时间: 2006-4-5 20:27 标题: BTF官方介绍amadeus

http://www.berkshiretheatre.org./theseason/06amadeus.php

http://www.berkshiretheatre.org./theseason/index.php

by Peter Shaffer
Directed by Eric Hill
With Jonathan Epstein and Randy Harrison

Previews: June 20, 21, 22
Opens: June 23
Postscript: June 26
Closes: July 8

Please call 413-298-5536 ext. 33

今天去他们官方相册看了看,泪,只有一张演安东尼‧萨里耶利演员的剧照,还是贴给大家看看,记得要常去看看哦,说不定不久之后就有RANDY的剧照在里面了~~~~em23

他们官方相册的地址
http://www.berkshiretheatre.org/gallery/2006PR

点击看大图

作者: namehong 时间: 2006-4-5 20:54

啊。。。
上面那张图好棒！！
等着看Randy滴。。。。。em23em23

作者: cora 时间: 2006-4-5 21:12

现在才看到这个帖子...好期待^_^
喜欢randy，更喜欢可以沉浸在自己事业所爱的randyem23无论可不可以亲眼看到，都祝福他em23

作者: 夜之微 时间: 2006-4-5 21:12

谢谢四姑娘～～！
恩恩！！偶也等着ＲＡＮＤＹ的ＭＯＺＡＲＴ的片片～～～～～～～！！！
哇晒，光想就激动得８得鸟了！！哈哈～～

作者: dchx 时间: 2006-4-5 21:22

这个造型可真是够精致的，都不敢想象Randy得漂亮成啥样子了~~~~
四妹子，我英语白成那样自己是查不了了，死等你的照片了~~~~

作者: callas 时间: 2006-4-6 09:05

好消息

作者: 斑点小海龟 时间: 2006-4-6 13:04

不知道，我还来不来的及去美国的说～～～～

作者: qqqq2046 时间: 2006-4-7 03:17

因为无聊,去RANDY现在学校滴网站逛了一圈,看到了以前滴一个 <Amadeus>滴学习材料,包括内容满多滴,RANDY应该也下载了吧,呵呵.......有兴趣滴朋友可以下载看看
http://www.guthrietheater.org/pdf/amadeus.pdf

偶好想打他们学校滴电话,看能不能找到RANDY~~~~(请忽略发痴滴某女)

作者: brigityee 时间: 2006-4-7 08:45

原帖由 qqqq2046 于 2006-4-7 03:17 发表
因为无聊,去RANDY现在学校滴网站逛了一圈,看到了以前滴一个 <Amadeus>滴学习材料,包括内容满多滴,RANDY应该也下载了吧,呵呵.......有兴趣滴朋友可以下载看看
[url]http://www.guthrietheater.org/pdf/amad ...

嘿嘿！4Q，强烈支持你打电话！

若是打电话最好录音一下鸟！em01

作者: puremelody 时间: 2006-9-3 20:33

可惜后来披露的照片好少。。。

作者: JOY 时间: 2008-5-9 14:02

记得J和E分手的那段争吵，小J的台词功底好深厚的说，很有感情。。。他演舞台剧一定非常精彩，可惜看不到。。。:s09 :s09

作者: 梦中的舞台 时间: 2012-10-28 13:51

回复 1# candyperfume
啊啊啊啊啊！！！！！

作者: clk2009 时间: 2012-10-28 16:22

:s04好久不见

作者: xiaogreg 时间: 2012-11-5 23:30

碉堡了。极品贴！！！

作者: xp123 时间: 2016-1-23 20:16

舞台剧，要去找舞台剧的网。那些好作品他们怎么就不专门录制下来建个网站分享呢，那些都是文化啊！

作者: xp123 时间: 2016-3-15 12:13

谢谢分享

作者: ac414710372 时间: 2016-3-16 22:32

微博上隔几天还能看看Randy的近况，现在百老汇音乐剧巡演中，一直都是sunshine

作者: ivana1 时间: 2016-3-18 14:18

支持支持支持支持支持支持支持

作者: Akira 时间: 2017-1-14 09:15

谢谢大家整理资料

作者: chitty-y 时间: 2017-1-14 09:26

不知道现在还能不能看到，现在的小J还好吗~

作者: gogocome 时间: 2017-1-20 12:02

来看看，，支持支持

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